Monica pereira

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« pelo mundo, semear emoçoes »

(De par le monde, semer des emotions) m. pereira

A glossy ebony grand piano with its lid open, revealing warm copper strings and hammers, sits center-stage in an intimate concert hall. The piano’s polished surface subtly reflects the deep burgundy velvet curtains and dark wooden floorboards around it. A single vintage microphone on a sleek black stand rises at the keyboard’s edge, cable snaking toward the shadows. Soft golden stage spotlights wash the piano in a gentle glow, casting elegant, elongated shadows across the floor. Photographic realism, eye-level composition with a shallow depth of field keeps the instrument crisp while the empty rows of plush seats dissolve into a creamy bokeh, evoking sophistication, travel, and a poised, expectant silence before music begins.

Monica Pereira live

Monica Pereira
Chanteuse aux racines ouest-africaines et lusophones

Prochains concerts

18.09.2025

Théâtre municipal

Lisbonne

Billets

23.09.2025

Casa da Música

Porto

Acheter billets

28.09.2025

Centre culturel

Bissau

Infos billets

20.09.2025

Salle des fêtes

Bordeaux

Prochains concerts

24.09.2025

Jazz club

Paris 11e

Billetterie enligne

30.09.2025

Festival d’automne

Lyon

Billets festival

21.09.2025

Scène nationale

Rennes

Voir billets

27.09.2025

Auditorium municipal

Coimbra

Billetterie concerts

01.10.2025

Grande salle

Marseille

Derniers billets

Booking

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A nighttime urban rooftop scene features a minimalist sound system arranged against a dusky sky transitioning from deep blue to inky black. A compact mixer with colorful LED levels glows atop a slim, black metal table, flanked by two understated matte-black speakers. In the foreground, a classic ribbon microphone on a stand faces the unseen city, cable coiled neatly on rough concrete. Distant city lights scatter like stars, forming a soft bokeh behind the equipment. Subtle, cool-toned ambient lighting outlines the clean silhouettes of the gear, while a faint warm reflection from a nearby window adds depth. Photographic realism, low-angle three-quarter view, with the horizon placed low in the frame. The atmosphere is sophisticated, introspective, and cinematic, evoking late-night sessions and musical voyages above the city.
A collection of well-worn percussion instruments from West Africa rests on a low, hand-carved wooden platform: rich brown djembes with taut goat-skin heads, small metallic bells, and woven shakers with intricate indigo and ochre patterns. Behind them, a textured wall painted in deep terracotta gradually transitions into a cool slate gray, symbolizing a bridge between cultures. Warm, diffused side lighting creates soft highlights on the wood grain and subtle shadows beneath each instrument. Photographic realism, framed using the rule of thirds, with a slightly elevated angle and moderate depth of field, keeps the front drum in sharp focus while the others gently blur. The mood is rooted, ancestral, and quietly powerful, suggesting rhythms that travel across oceans and time.
An elegant vinyl record lies partially pulled from its sleeve on a dark wooden table. The cover art is a rich collage of abstract shapes inspired by West African textiles and Lisbon azulejos, in deep indigo, burnt sienna, and shimmering gold. The record itself is a glossy translucent amber, catching the light in delicate concentric rings. Beside it, a small, vintage turntable in brushed aluminum and walnut is paused, tonearm hovering just above the spinning platter. Late-afternoon window light streams in from the side, casting patterned shadows from lace curtains across the scene. Photographic realism, captured from a slightly overhead angle, with crisp focus on the vinyl’s grooves and a gentle blur toward the corners. The mood is nostalgic yet modern, suggesting timeless songs that connect continents.