Monica pereira

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« pelo mundo, semear emoçoes »

(De par le monde, semer des emotions) m. pereira

A collection of well-worn percussion instruments from West Africa rests on a low, hand-carved wooden platform: rich brown djembes with taut goat-skin heads, small metallic bells, and woven shakers with intricate indigo and ochre patterns. Behind them, a textured wall painted in deep terracotta gradually transitions into a cool slate gray, symbolizing a bridge between cultures. Warm, diffused side lighting creates soft highlights on the wood grain and subtle shadows beneath each instrument. Photographic realism, framed using the rule of thirds, with a slightly elevated angle and moderate depth of field, keeps the front drum in sharp focus while the others gently blur. The mood is rooted, ancestral, and quietly powerful, suggesting rhythms that travel across oceans and time.

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Équipe artistique et management

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A sleek, modern studio setup combines analog warmth and contemporary edge: a matte-black condenser microphone in a shock mount faces a floating music stand holding sheet music printed with Portuguese lyrics. Behind, a wall of acoustic foam panels alternates between charcoal and deep ocean blue, forming a subtle geometric pattern. A compact keyboard with illuminated controls glows faintly on a walnut desk, next to vintage headphones with burnished metal accents. Cool, diffused overhead lighting is balanced by a narrow beam of warm light from a desk lamp, creating gentle contrast and reflective highlights. Photographic realism, shot at eye level with a shallow depth of field, focuses on the microphone and lyrics, while the background softens into understated bokeh, evoking focus, sophistication, and creative exploration.